at a bar in Des Moines, yep, it's the good life
At the bar sits a thin dreadlocked man; he is being gushed over by a succession of young women. He's the drummer with the Wailers, who have just left the stage on the grassy riverbank next to the hotel. In fact he's called Drummie Zeb. He's drummed for ten years with legendary bass player Family Man (Aston Barrett) who, if you don't know, would be really amazing to drum with, or scary, I'm not sure which. He's very cool with it; Zeb used to play with Kenny Chesney. Paul Simon before that.
It's all the same, he laughs, of course you play different but you have to find your thing, the thing that makes them know who you are. He says, I tell my son who is a drummer to look for the way YOU play. So then I tell Zeb about wine competitions and how it's so important for a taster to be who their palate is, not who they think it should be, not what some more important person's palate is, but who you are. Conversely, it's also important not to be an asshole about it: if everybody disagrees with you, move on and find the next good wine. It's a pretty stupid analogy and Zeb is very polite about it. He's from Virginia; maybe it's southern manners. Later I am reading that Cy Twombly thought that living in Virginia was good preparation for living in Italy: something about faded grandeur.